Taj Mahal - Wonder of World

Taj Mahal - Wonder of World

The Taj Mahal (pronounced /tɑdʒ məˈhɑl/; Hindi: ताज महल; Persian/Urdu: تاج محل) is a mausoleum located in Agra, India, built by Mughal Emperor Shah Jahan in memory of his favorite wife, Mumtaz Mahal.
The Taj Mahal (also "the Taj") is considered the finest example of Mughal architecture, a style that combines elements from Persian, Indian, and Islamic architectural styles.[1][2] In 1983, the Taj Mahal became a UNESCO World Heritage Site and was cited as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage."
While the white domed marble mausoleum is its most familiar component, the Taj Mahal is actually an integrated complex of structures. Building began around 1632 and was completed around 1653, and employed thousands of artisans and craftsmen.[3] The construction of the Taj Mahal was entrusted to a board of architects under imperial supervision including Abd ul-Karim Ma'mur Khan, Makramat Khan, and Ustad Ahmad Lahauri.[4][5] Lahauri is generally considered to be the principal designer.[6]
Contents
• 1 Origin and inspiration
• 2 Architecture
o 2.1 The tomb
2.1.1 Exterior decoration
2.1.2 Interior decoration
o 2.2 The garden
o 2.3 Outlying buildings
• 3 Construction
• 4 History
• 5 Threats
• 6 Tourism
• 7 Myths
• 8 Replicas

Origin and inspiration
Main article: Origins and architecture of the Taj Mahal

Shah Jahan, who commissioned the Taj Mahal -"Shah jahan on a globe" from the Smithsonian Institution
Artistic depiction of Mumtaz Mahal

In 1631, Shah Jahan, emperor during the Mughal empire's period of greatest prosperity, was griefstricken when his third wife, Mumtaz Mahal, died during the birth of their fourteenth child, Gauhara Begum.[7] Construction of the Taj Mahal began in 1632, one year after her death.[8] The court chronicles of Shah Jahan's grief illustrate the love story traditionally held as an inspiration for Taj Mahal.[9][10] The principal mausoleum was completed in 1648 and the surrounding buildings and garden were finished five years later. Emperor Shah Jahan himself described the Taj in these words:[11]
Should guilty seek asylum here,
Like one pardoned, he becomes free from sin.
Should a sinner make his way to this mansion,
All his past sins are to be washed away.
The sight of this mansion creates sorrowing sighs;
And the sun and the moon shed tears from their eyes.
In this world this edifice has been made;
To display thereby the creator's glory.
The Taj Mahal incorporates and expands on design traditions of Persian architecture and earlier Mughal architecture. Specific inspiration came from successful Timurid and Mughal buildings including; the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand),[12] Humayun's Tomb, Itmad-Ud-Daulah's Tomb (sometimes called the Baby Taj), and Shah Jahan's own Jama Masjid in Delhi. While earlier Mughal buildings were primarily constructed of red sandstone, Shah Jahan promoted the use of white marble inlaid with semi-precious stones, and buildings under his patronage reached new levels of refinement.[13]
Architecture
The tomb
The central focus of the complex is the tomb. This large, white marble structure stands on a square plinth and consists of a symmetrical building with an iwan (an arch-shaped doorway) topped by a large dome and finial. Like most Mughal tombs, the basic elements are Persian in origin.


The Taj Mahal seen from the banks of river Yamuna
The base structure is essentially a large, multi-chambered cube with chamfered corners, forming an unequal octagon that is approximately 55 meters on each of the four long sides. On each of these sides, a massive pishtaq, or vaulted archway, frames the iwan with two similarly shaped, arched balconies stacked on either side. This motif of stacked pishtaqs is replicated on the chamfered corner areas, making the design completely symmetrical on all sides of the building. Four minarets frame the tomb, one at each corner of the plinth facing the chamfered corners. The main chamber houses the false sarcophagi of Mumtaz Mahal and Shah Jahan; the actual graves are at a lower level.
The marble dome that surmounts the tomb is the most spectacular feature. Its height of around 35 meters is about the same as the length of the base, and is accentuated as it sits on a cylindrical "drum" which is roughly 7 metres high. Because of its shape, the dome is often called an onion dome or amrud (guava dome). The top is decorated with a lotus design, which also serves to accentuate its height. The shape of the dome is emphasised by four smaller domed chattris (kiosks) placed at its corners, which replicate the onion shape of the main dome. Their columned bases open through the roof of the tomb and provide light to the interior. Tall decorative spires (guldastas) extend from edges of base walls, and provide visual emphasis to the height of the dome. The lotus motif is repeated on both the chattris and guldastas. The dome and chattris are topped by a gilded finial, which mixes traditional Persian and Hindu decorative elements.
The main finial was originally made of gold but was replaced by a copy made of gilded bronze in the early 19th century. This feature provides a clear example of integration of traditional Persian and Hindu decorative elements. The finial is topped by a moon, a typical Islamic motif whose horns point heavenward. Because of its placement on the main spire, the horns of the moon and the finial point combine to create a trident shape, reminiscent of traditional Hindu symbols of Shiva.[3]

The minarets, which are each more than 40 meters tall, display the designer's penchant for symmetry. They were designed as working minarets — a traditional element of mosques, used by the muezzin to call the Islamic faithful to prayer. Each minaret is effectively divided into three equal parts by two working balconies that ring the tower. At the top of the tower is a final balcony surmounted by a chattri that mirrors the design of those on the tomb. The chattris all share the same decorative elements of a lotus design topped by a gilded finial. The minarets were constructed slightly outside of the plinth so that, in the event of collapse, (a typical occurrence with many tall constructions of the period) the material from the towers would tend to fall away from the tomb.

Base, dome, and minaret

Finial
Top of finial
Main iwan and side pishtaqs

Simplified diagram of the Taj Mahal floor plan
Exterior decoration


Calligraphy on large pishtaq
The exterior decorations of the Taj Mahal are among the finest to be found in Mughal architecture.[citation needed] As the surface area changes the decorations are refined proportionally. The decorative elements were created by applying paint, stucco, stone inlays, or carvings. In line with the Islamic prohibition against the use of anthropomorphic forms, the decorative elements can be grouped into either calligraphy, abstract forms or vegetative motifs.
Throughout the complex, passages from the Qur'an are used as decorative elements. Recent scholarship suggests that the passages were chosen by Amanat Khan. [14][15] The texts refer to themes of judgment and include:
Surah 91 – The Sun
Surah 112 – The Purity of Faith
Surah 89 – Daybreak
Surah 93 – Morning Light
Surah 95 – The Fig
Surah 94 – The Solace
Surah 36 – Ya Sin
Surah 81 – The Folding Up
Surah 82 – The Cleaving Asunder
Surah 84 – The Rending Asunder
Surah 98 – The Evidence
Surah 67 – Dominion
Surah 48 – Victory
Surah 77 – Those Sent Forth
Surah 39 – The Crowds
The calligraphy on the Great Gate reads "O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you."[15]
The calligraphy was created by the Persian calligrapher Abd ul-Haq, who came to India from Shiraz, Iran, in 1609. Shah Jahan conferred the title of "Amanat Khan" upon him as a reward for his "dazzling virtuosity".[5] Near the lines from the Qur'an at the base of the interior dome is the inscription, "Written by the insignificant being, Amanat Khan Shirazi."[16] Much of the calligraphy is composed of florid thuluth script, made of jasper or black marble,[5] inlaid in white marble panels. Higher panels are written in slightly larger script to reduce the skewing effect when viewed from below. The calligraphy found on the marble cenotaphs in the tomb is particularly detailed and delicate.
Abstract forms are used throughout, especially in the plinth, minarets, gateway, mosque, jawab and, to a lesser extent, on the surfaces of the tomb. The domes and vaults of the sandstone buildings are worked with tracery of incised painting to create elaborate geometric forms. Herringbone inlays define the space between many of the adjoining elements. White inlays are used in sandstone buildings, and dark or black inlays on the white marbles. Mortared areas of the marble buildings have been stained or painted in a contrasting colour, creating geometric patterns of considerable complexity. Floors and walkways use contrasting tiles or blocks in tessellation patterns.
On the lower walls of the tomb there are white marble dados that have been sculpted with realistic bas relief depictions of flowers and vines. The marble has been polished to emphasise the exquisite detailing of the carvings and the dado frames and archway spandrels have been decorated with pietra dura inlays of highly stylised, almost geometric vines, flowers and fruits. The inlay stones are of yellow marble, jasper and jade, polished and leveled to the surface of the walls.



The interior chamber of the Taj Mahal steps far beyond traditional decorative elements. Here, the inlay work is not pietra dura but lapidary of precious and semiprecious gemstones. The inner chamber is an octagon with the design allowing for entry from each face, although only the south garden-facing door is used. The interior walls are about 25 metres high and topped by a "false" interior dome decorated with a sun motif. Eight pishtaq arches define the space at ground level and, as with the exterior, each lower pishtaq is crowned by a second pishtaq about midway up the wall. The four central upper arches form balconies or viewing areas, and each balcony's exterior window has an intricate screen or jali cut from marble. In addition to the light from the balcony screens, light enters through roof openings which are covered by chattris at the corners. Each chamber wall has been highly decorated with dado bas relief, intricate lapidary inlay and refined calligraphy panels, reflecting in miniature detail the design elements seen throughout the exterior of the complex. The octagonal marble screen or jali which borders the cenotaphs is made from eight marble panels which have been carved through with intricate pierce work. The remaining surfaces have been inlaid in extremely delicate detail with semiprecious stones forming twining vines, fruits and flowers.
Muslim tradition forbids elaborate decoration of graves and hence Mumtaz and Shah Jahan are laid in a relatively plain crypt beneath the inner chamber with their faces turned right and towards Mecca. Mumtaz Mahal's cenotaph is placed at the precise center of the inner chamber on a rectangular marble base of 1.5 meters by 2.5 meters. Both the base and casket are elaborately inlaid with precious and semiprecious gems. Calligraphic inscriptions on the casket identify and praise Mumtaz. On the lid of the casket is a raised rectangular lozenge meant to suggest a writing tablet. Shah Jahan's cenotaph is beside Mumtaz's to the western side and is the only visible asymmetric element in the entire complex. His cenotaph is bigger than his wife's, but reflects the same elements: a larger casket on slightly taller base, again decorated with astonishing precision with lapidary and calligraphy that identifies him. On the lid of this casket is a traditional sculpture of a small pen box. The pen box and writing tablet were traditional Mughal funerary icons decorating men's and women's caskets respectively. The Ninety Nine Names of God are to be found as calligraphic inscriptions on the sides of the actual tomb of Mumtaz Mahal, in the crypt including "O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious... ". The tomb of Shah Jahan bears a calligraphic inscription that reads; "He traveled from this world to the banquet-hall of Eternity on the night of the twenty-sixth of the month of Rajab, in the year 1076 Hijri."

Arch of Jali
Delicate pierce work
Inlay detail
Detail of Jali
The garden


Walkways beside reflecting pool
The complex is set around a large 300-meter square charbagh or Mughal garden. The garden uses raised pathways that divide each of the four quarters of the garden into 16 sunken parterres or flowerbeds. A raised marble water tank at the center of the garden, halfway between the tomb and gateway with a reflecting pool on a north-south axis, reflects the image of the mausoleum. The raised marble water tank is called al Hawd al-Kawthar, in reference to the "Tank of Abundance" promised to Muhammad.[17] Elsewhere, the garden is laid out with avenues of trees and fountains.[18] The charbagh garden, a design inspired by Persian gardens, was introduced to India by the first Mughal emperor, Babur. It symbolizes the four flowing rivers of Jannah (Paradise) and reflects the Paradise garden derived from the Persian paridaeza, meaning 'walled garden'. In mystic Islamic texts of Mughal period, Paradise is described as an ideal garden of abundance with four rivers flowing from a central spring or mountain, separating the garden into north, west, south and east.
Most Mughal charbaghs are rectangular with a tomb or pavilion in the center. The Taj Mahal garden is unusual in that the main element, the tomb, is located at the end of the garden. With the discovery of Mahtab Bagh or "Moonlight Garden" on the other side of the Yamuna, the interpretation of the Archaeological Survey of India is that the Yamuna river itself was incorporated into the garden's design and was meant to be seen as one of the rivers of Paradise.[19] The similarity in layout of the garden and its architectural features with the Shalimar Gardens suggest that they may have been designed by the same architect, Ali Mardan.[20] Early accounts of the garden describe its profusion of vegetation, including abundant roses, daffodils, and fruit trees.[21] As the Mughal Empire declined, the tending of the garden also declined, and when the British took over the management of Taj Mahal during the time of the British Empire, they changed the landscaping to resemble that of lawns of London.[22]
Outlying buildings


The Great gate (Darwaza-i rauza)—gateway to the Taj Mahal
The Taj Mahal complex is bounded on three sides by crenellated red sandstone walls, with the river-facing side left open. Outside the walls are several additional mausoleums, including those of Shah Jahan's other wives, and a larger tomb for Mumtaz's favorite servant. These structures, composed primarily of red sandstone, are typical of the smaller Mughal tombs of the era. The garden-facing inner sides of the wall are fronted by columned arcades, a feature typical of Hindu temples which was later incorporated into Mughal mosques. The wall is interspersed with domed chattris, and small buildings that may have been viewing areas or watch towers like the Music House, which is now used as a museum.


Arches in the Taj Mahal Mosque interior
The main gateway (darwaza) is a monumental structure built primarily of marble which is reminiscent of Mughal architecture of earlier emperors. Its archways mirror the shape of tomb's archways, and its pishtaq arches incorporate the calligraphy that decorates the tomb. It utilizes bas-relief and pietra dura inlaid decorations with floral motifs. The vaulted ceilings and walls have elaborate geometric designs, like those found in the other sandstone buildings of the complex.

Taj Mahal mosque or masjid
At the far end of the complex, there are two grand red sandstone buildings that are open to the sides of the tomb. Their backs parallel the western and eastern walls, and the two buildings are precise mirror images of each other. The western building is a mosque and the other is the jawab (answer), whose primary purpose was architectural balance, although it may have been used as a guesthouse. The distinctions between these two buildings include the lack of mihrab (a niche in a mosque's wall facing Mecca) in the jawab and that the floors of jawab have a geometric design, while the mosque floor was laid with outlines of 569 prayer rugs in black marble. The mosque's basic design of a long hall surmounted by three domes is similar to others built by Shah Jahan, particularly to his Masjid-Jahan Numa, or Jama Masjid, Delhi. The Mughal mosques of this period divide the sanctuary hall into three areas, with a main sanctuary and slightly smaller sanctuaries on either side. At the Taj Mahal, each sanctuary opens onto an enormous vaulting dome. These outlying buildings were completed in 1643.
Construction


Ground layout of the Taj Mahal 
The Taj Mahal was built on a parcel of land to the south of the walled city of Agra. Shah Jahan presented Maharajah Jai Singh with a large palace in the center of Agra in exchange for the land.[23] An area of roughly three acres was excavated, filled with dirt to reduce seepage, and leveled at 50 meters above riverbank. In the tomb area, wells were dug and filled with stone and rubble to form the footings of the tomb. Instead of lashed bamboo, workmen constructed a colossal brick scaffold that mirrored the tomb. The scaffold was so enormous that foremen estimated it would take years to dismantle. According to the legend, Shah Jahan decreed that anyone could keep the bricks taken from the scaffold, and thus it was dismantled by peasants overnight. A fifteen kilometer tamped-earth ramp was built to transport marble and materials to the construction site and teams of twenty or thirty oxen pulled the blocks on specially constructed wagons. An elaborate post-and-beam pulley system was used to raise the blocks into desired position. Water was drawn from the river by a series of purs, an animal-powered rope and bucket mechanism, into a large storage tank and raised to a large distribution tank. It was passed into three subsidiary tanks, from which it was piped to the complex.
The plinth and tomb took roughly 12 years to complete. The remaining parts of the complex took an additional 10 years and were completed in order of minarets, mosque and jawab, and gateway. Since the complex was built in stages, discrepancies exist in completion dates due to differing opinions on "completion". For example, the mausoleum itself was essentially complete by 1643, but work continued on the rest of the complex. Estimates of the cost of construction vary due to difficulties in estimating costs across time. The total cost has been estimated to be about 32 million Rupees at that time.[24]
The Taj Mahal was constructed using materials from all over India and Asia and over 1,000 elephants were used to transport building materials. The translucent white marble was brought from Rajasthan, the jasper from Punjab, jade and crystal from China. The turquoise was from Tibet and the Lapis lazuli from Afghanistan, while the sapphire came from Sri Lanka and the carnelian from Arabia. In all, twenty eight types of precious and semi-precious stones were inlaid into the white marble.


Artist's impression of the Taj Mahal, from the Smithsonian Institution 

A labour force of twenty thousand workers was recruited across northern India. Sculptors from Bukhara, calligraphers from Syria and Persia, inlayers from southern India, stonecutters from Baluchistan, a specialist in building turrets, another who carved only marble flowers were part of the thirty-seven men who formed the creative unit. Some of the builders involved in construction of Taj Mahal are:
• Ismail Afandi (a.ka. Ismail Khan) of the Ottoman Empire — designer of the main dome.[25]
• Ustad Isa and Isa Muhammad Effendi of Persia — trained by Koca Mimar Sinan Agha of the Ottoman Empire and frequently credited with a key role in the architectural design.[26][27]
• 'Puru' from Benarus, Persia — has been mentioned as a supervising architect.[28]
• Qazim Khan, a native of Lahore - cast the solid gold finial.
• Chiranjilal, a lapidary from Delhi — the chief sculptor and mosaicist.
• Amanat Khan from Shiraz, Iran — the chief calligrapher. [29]
• Muhammad Hanif — a supervisor of masons.
• Mir Abdul Karim and Mukkarimat Khan of Shiraz — handled finances and management of daily production.

History 


Taj Mahal by Samuel Bourne, 1860.
Soon after the Taj Mahal's completion, Shah Jahan was deposed by his son Aurangzeb and put under house arrest at nearby Agra Fort. Upon Shah Jahan's death, Aurangzeb buried him in the mausoluem next to his wife.[30]
By the late 19th century, parts of the buildings had fallen badly into disrepair. During the time of the Indian rebellion of 1857, the Taj Mahal was defaced by British soldiers and government officials, who chiseled out precious stones and lapis lazuli from its walls. At the end of the 19th century, British viceroy Lord Curzon ordered a massive restoration project, which was completed in 1908.[31][32] He also commissioned the large lamp in the interior chamber, modeled after one in a Cairo mosque. During this time the garden was remodeled with British-style lawns that are still in place today.[22]

Threats 


Protective wartime scaffolding
In 1942, the government erected a scaffolding in anticipation of an air attack by German Luftwaffe and later by Japanese Air Force. During the India-Pakistan wars of 1965 and 1971, scaffoldings were again erected to mislead bomber pilots.[33]
More recent threats have come from environmental pollution on the banks of Yamuna River including acid rain[34] due to the Mathura Oil Refinery, [35] which was opposed by Supreme Court of India directives. The pollution has been turning the Taj Mahal yellow. To help control the pollution, the Indian government has set up the Taj Trapezium Zone (TTZ), a 10,400 square kilometer (4,015 square mile) area around the monument where strict emissions standards are in place.[36] In 1983, the Taj Mahal was designated a UNESCO World Heritage Site.[37]
Tourism


Then President of Russia Vladimir Putin and wife Lyudmila Putina visiting the Taj Mahal in 2000.
The Taj Mahal attracts from 2 to 4 million visitors annually, with more than 200,000 from overseas. Most tourists visit in the cooler months of October, November and February. Polluting traffic is not allowed near the complex and tourists must either walk from parking lots or catch an electric bus. The Khawasspuras (northern courtyards) are currently being restored for use as a new visitor center.[38][39] The small town to the south of the Taj, known as Taj Ganji or Mumtazabad, originally was constructed with caravanserais, bazaars and markets to serve the needs of visitors and workmen.[40] Lists of recommended travel destinations often feature the Taj Mahal, which also appears in several listings of seven wonders of the modern world, including the recently announced New Seven Wonders of the World, a recent poll[41] with 100 million votes.
The grounds are open from 6 am to 7 pm weekdays, except for Friday when the complex is open for prayers at the mosque between 12 pm and 2 pm. The complex is open for night viewing on the day of the full moon and two days before and after,[42] excluding Fridays and the month of Ramzan. For security reasons[43] only five items—water in transparent bottles, small video cameras, still cameras, mobile phones and small ladies' purses—are allowed inside the Taj Mahal.
Myths
Ever since its construction, the building has been the source of an admiration transcending culture and geography, and so personal and emotional responses have consistently eclipsed scholastic appraisals of the monument.[44]


Jean-Baptiste Tavernier, one of the first European visitors to the Taj Mahal
A longstanding myth holds that Shah Jahan planned a mausoleum to be built in black marble across the Yamuna river.[45] The idea originates from fanciful writings of Jean-Baptiste Tavernier, a European traveller who visited Agra in 1665. It was suggested that Shah Jahan was overthrown by his son Aurangzeb before it could be built. Ruins of blackened marble across the river in Moonlight Garden, Mahtab Bagh, seemed to support this legend. However, excavations carried out in the 1990s found that they were discolored white stones that had turned black.[46] A more credible theory for the origins of the black mausoleum was demonstrated in 2006 by archeologists who reconstructed part of the pool in the Moonlight Garden. A dark reflection of the white mausoleum could clearly be seen, befitting Shah Jahan's obsession with symmetry and the positioning of the pool itself.[47]
No evidence exists for claims that describe, often in horrific detail, the deaths, dismemberments and mutilations which Shah Jahan supposedly inflicted on various architects and craftsmen associated with the tomb. Some stories claim that those involved in construction signed contracts committing themselves to have no part in any similar design. Similar claims are made for many famous buildings.[48] No evidence exists for claims that Lord William Bentinck, governor-general of India in the 1830s, supposedly planned to demolish the Taj Mahal and auction off the marble. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort.[49]
In 2000, India's Supreme Court dismissed P.N. Oak's petition to declare that a Hindu king built the Taj Mahal.[48][50] Oak claimed that origins of the Taj, together with other historic structures in the country currently ascribed to Muslim sultans pre-date Muslim occupation of India and thus, have a Hindu origin.[51] A more poetic story relates that once a year, during the rainy season, a single drop of water falls on the cenotaph, as inspired by Rabindranath Tagore's description of the tomb as "one tear-drop...upon the cheek of time". Another myth suggests that beating the silhouette of the finial will cause water to come forth. To this day, officials find broken bangles surrounding the silhouette.[52]
Replicas
Among the buildings modeled on the Taj Mahal are the Taj Mahal Bangladesh, the Bibi Ka Maqbara in Aurangabad, Maharashtra, and the Tripoli Shrine Temple in Milwaukee, Wisconsin.

Above Information Of Taj Mahal In Details :- 


Any person, visiting or planning to visit the Taj Mahal, is interested to know more about the Taj Mahal. There are many queries and questions about the Taj Mahal- who built the Taj, why was it built, when can I visit…in fact, there is no end to such queries. This section on the "Taj Mahal facts" is intended to provide you a quick knowledge about this great monument of love. Read on to get some quick information about Taj Mahal and Agra…

Year of Construction: 1631
Completed In: 1653
Time Taken: 22 years
Built By: Shah Jahan
Dedicated to: Mumtaz Mahal (Arjumand Bano Begum), the wife of Shah Jahan
Location: Agra (Uttar Pradesh)
Building Type: Islamic tomb
Architecture: Islamic
Cost of Construction: 32 crore rupees
Number of workers: 20,000
Highlights: One of the Seven Wonders of the World
A UNESCO World Heritage site
Timings: 6:00 am to 7:30 pm (Friday closed)
Fee: Rs 970 (Foreigners)
Rs 20 (Indians, during daytime)
Rs 110 (Indians, during sunrise and sunset)

In the following lines, we have mentioned some more Taj Mahal trivia:
• Before his accession to the throne, Shah Jahan was popularly known as Prince Khurram.
• Shah Jahan fell in love with the beautiful Arjumand Bano Begum and married her, making her his third wife.
• Arjumand Bano Begum christened by Shah Jahan as Mumtaz Mahal, meaning the "chosen one".
• Shah Jahan lost Mumtaz Mahal when she got giving birth to their 14h child.
• It is believed that in her last breath Mumtaz secured a promise from Shah Jahan that he would construct the most beautiful monument in the her memory.
• For the transportation of the construction materials, more than 1,000 elephants were made use of.
• As many as 28 different varieties of semi-precious and precious stones were used to adorn the Taj with exquisite inlay work.





The history of the Taj Mahal tells us "why was the Taj Mahal built" and many other myths and facts associated with this wonderful structure. Mughal Emperor Shah Jahan erected the Taj Mahal in the memory of his beloved wife, Mumtaz Mahal. Shah Jahan (then Prince Khurram) met Mumtaz Mahal (then Arjumand Banu Begum) at the age of fourteen and fell in love at the first sight. She was a Muslim Persian princess and Shah Jahan was the son of the Mughal Emperor, Jehangir. Five years later, in 1612, they got married. As you read further you will come to know more about the history of the Taj Mahal at Agra…

Mumtaz Mahal, an inseparable companion of Shah Jahan, died in 1631, while giving birth to their 14th child. It is believed that during her last moments, Mumtaz Mahal obtained a promise from Shah Jahan that he will build world's most beautiful monument in her memory. But this has not been proven to be true, till date. However, Shah Jahan did indeed build a magnificent monument as a tribute to her wife, which we today know as the "Taj Mahal". Shah Jahan, himself also, lies entombed in this mausoleum along with his wife.

The construction of Taj Mahal started in the year 1631 and it took approximately 22 years to build it. An epitome of love, it made use of the services of 22,000 laborers and 1,000 elephants. It was built entirely out of white marble, which was brought in from all over India and central Asia. After an expenditure of approximately 32 million rupees (approx US $68000), Taj Mahal was finally completed in the year 1653. However, the history of Taj Mahal of India still has some gaps. For example, there are many theories regarding the architect of this magnificent monument.


Taj Mahal Story


Male Protagonist: Shah Jahan (Prince Khurram)
Female Protagonist: Mumtaz Mahal (Arjumand Banu Begum)

Shah Jahan met Mumtaz Mahal and fell in love. He married her after five years and they were leading a very happy life. While giving birth to their last child, Mumtaz Mahal died due to some complications. A few years later Shah Jahan built the world's most beautiful monument "Taj Mahal" in the memory of his wife.

One of the wonders of the world "Taj Mahal" has a beautiful love story behind its construction. Taj Mahal love story is about Shah Jahan and Mumtaz Mahal. Shah Jahan, initially named Prince Khurram, took birth in the year 1592. The son of Jehangir, the fourth Mughal emperor of India, he fell in love in Arjumand Banu Begum at first time. At that time he was 14 years old and she, a Muslim Persian princess, was 15. After meeting her, Shah Jahan went back to his father and declared that he wanted to marry her. Read on to know more about the love story behind Taj Mahal of Agra…

The match got solemnized after five years i.e., in the year 1612. Shah Jahan became the Emperor in the year 1628 and entrusted Arjumand Banu with the royal seal. He also bestowed her with the tile of Mumtaz Mahal, meaning the "Jewel of the Palace". Though Shah Jahan had other wives also, but, Mumtaz Mahal was his favorite and accompanied him everywhere, even on military campaigns. In the year 1631, when Mumtaz Mahal was giving birth to their 14th child, she died due to some complications.

It is said that Shah Mahal was so heartbroken after her death that he ordered the court into morning for two years. Some time after her death, Shah Jahan undertook the task of erecting the world's most beautiful monument in the memory of his beloved. It took 22 years and the labor of 22,000 workers to construct the monument, which is also said to be the last wish of Mumtaz Mahal. This magnificent monument came to be known as "Taj Mahal" and now counts amongst the Seven Wonders of the World.

This is the true story of the Taj Mahal of India, which has mesmerized many people with its bewitching beauty.


Taj Mahal Architecture 

A beautifully laid out walled garden encloses the magnificent monument "Taj Mahal". The entire Taj complex consists of five major constituents, namely
• Darwaza (The main gateway)
• Bageecha (The gardens)
• Masjid (The mosque)
• Naqqar Khana (The rest house)
• Rauza (The main mausoleum)
Taj Mahal architecture is a kind of fusion of Persian, Central Asian and Islamic architecture. The main gateway, with its domed central chamber, is situated at the end of the long watercourse. On one side of the Taj Mahal is the Mosque and on the other, the Naqqar Khana, built mainly to maintain its symmetry. The main building, that of the Taj itself, stands on a raised, square platform with its four abridged corners, forming an unequal octagon. The architecture of Taj Mahal of Agra has made use of the interlocking arabesque concept.

As per this concept, each element maintains its own identity and yet perfectly merges with the main structure. The principles of self-replicating geometry, along with symmetry of architectural elements are also seen in the design and layout of Taj Mahal. The four 162.5 feet minarets have been consciously shortened a bit to emphasize the faintly spherical dome. The central dome, 58 feet in diameter and 213 feet in height, stand bordered with four subsidiary domed chambers.

A shadowy burial crypt inside the Taj Mahal houses the tombs of Shah Jahan and his wife Mumtaz Mahal. Above these tombs is the main chamber that has the false tombs, typical of mausoleums of the Mughals. Perforated marble screens were used to transmit light into the central chamber. A major irony behind Taj Mahal is that the man who got this magnificent monument built is himself responsible for disturbing its symmetry. His tomb, which lies next to that of Mumtaz Mahal, was never planned and deranges Taj's interior.


Taj Mahal Calligraphy 


One of the ornamentations done on the surface of the Taj Mahal is the beautiful calligraphic work. The calligraphy of the Taj Mahal mainly consists of the verses and passages from the holy book of Koran. It was done by inlaying jasper in the white marble panels. These passages were inscribed by a Persian calligrapher, Amanat Khan in an illegible Thuluth script. A number of the panels also bear his signatures.

It is believed that Amanat Khan even chose the passages for the calligraphy of Taj Mahal, Agra. Taj Mahal inscriptions consist of the following passages from the Koran:
• Surah 91 (The Sun)
• Surah 112 (The Purity of Faith)
• Surah 89 (Daybreak)
• Surah 93 (Morning Light)
• Surah 95 (The Fig)
• Surah 94 (The Solace)
• Surah 36 (Ya Sin)
• Surah 81 (The Folding Up)
• Surah 82 (The Cleaving Asunder)
• Surah 84 (The Rending Asunder)
• Surah 98 (The Evidence)
• Surah 67 (Dominion)
• Surah 48 (Victory)
• Surah 77 (Those Sent Forth)
• Surah 39 (The Crowds)








Taj Mahal Impressions 


Taj Mahal impressions consist of the things that people have said after experiencing the magnificence of this outstanding monument. From awe to delight to sheer ecstasy, impressions of Taj Mahal depict each and every conceivable feeling. Some of the famous sayings about Taj Mahal are as follows:
• "The sight of this mansion creates sorrowing sighs and makes sun and moon shed tears from their eyes. In this world this edifice has been made to display, thereby, the Creator's glory."
Shah Jahan (Badshah Nama)
• "It appears like a perfect pearl on an azure ground. The effect is such I have never experienced from any work of art."
British painter Hodges
• "I cannot tell what I think. I do not know how to criticize such a building but I can tell what I feel. I would die tomorrow to have such another over me."
British officer, Colonel Sleeman's wife
• "Did you ever build a castle in the Air? Here is one, brought down to earth and fixed for the wonder of ages".
American novelist, Bayard Taylor
• "If I had never done anything else in India, I have written my name here, and the letters are a living joy."
Lord Curzon, the British Governor-General
• "You know Shah Jahan, life and youth, wealth and glory, they all drift away in the current of time. You strove therefore, to perpetuate only the sorrow of your heart? Let the splendor of diamond, pearl and ruby vanish? Only let this one teardrop, this Taj Mahal, glisten spotlessly bright on the cheek of time, forever and ever."
Rabindranath Tagore




Taj Mahal Main Gateway 


Height: 93 Ft High
Period of Construction: 1632-1638

The main gateway of the Taj Mahal is one of the five main elements of this magnificent monument. Adorned with Hindu motifs, the Taj gateway is a tall niche doorway in the shape of an ogival arch that rises till the mid-height of the structure. With a vertical symmetry, the main gateway of Taj Mahal stands bordered with Arabic calligraphy of verses from the Quran, made up of black stone. Entwined flowers, mainly red lotus ones, leaves and vines ornament the sloping sides of the niche. These motifs were formed by semi-precious stones inlaid in the marble.

Further beautifying the gateway to the Taj is an image of a white teardrop with a red trident, located above the pointed tip of the niche. When the gateway was under construction, this frontal gateway served as the main entrance. All these motifs of the gateway reflect a Hindu touch. The flowers, vines, and leaves that are sinuous and idealized rather than geometric, the red lotus flowers that represent Lord Brahma, etc all point towards a Hindu influence in the construction of Taj Mahal.
Taj Mahal Mosque


On the western side of the Taj Mahal is a mosque, made up of red sandstone. Used for prayer purposes, the mosque faces the direction of the holy city of Mecca. The boundary near the well of the Taj Mahal mosque has a small stone enclosure, which housed the remains of Mumtaz Mahal before they were interned in the mausoleum. Adorned with pietra dura on the outside, the mosque in Taj Mahal of Agra, boasts of 4 octagonal towers and 3 elegant domes.

The sparkling floor is made up of a material that appears to be velvet red in shade and is covered with 539 prayer carpets. The interiors of the mosque are inscribed with delicate calligraphy citing the name Allah and quotations from scriptures. There is also a replica of the Masjid of the Taj Mahal of India, standing opposite to it. However, it was never used for prayer purposes.



Shah Jahan 

Born In: 1628
Died In: 1658
Achievements: Founder of the magnificent monument "Taj Mahal"

Shah Jahan was the son of Mughal Emperor Jehangir and was originally known as Prince Khurram. After being declared as the Emperor officially, he assumed the title of Abul Muzaffar Shahbuddin Muhammad Sahib-i Kiran-i Sani. However, he was known as Shah Jahan. The first aggression he faced after ascending the throne was from Jujhar Singh, son of Bir Singh Deo, the Bundela chief. After an initial surrender, he rebelled again and was finally killed by the Gonds. A major revolt for Shah Jahan came in the year 1628 by Khan Jahan Lodi, who united with the ruler of Ahmednagar and revolted.

By the year 1630, Khan Jahan gave up the revolt and died near the fort of Kalanjar. Another thing that changed with Shah Jahan's accession was the Deccan policy of the Mughals, which resulted in a suspicion of their alliance with the Shia rulers of Persia. The problem solved with the death of Malik Ambar. In 1631, Mughal army laid a failed siege on Bijapur and in 1633, won the fort of Daulatabad. Read on this Shah Jahan biography further to know more about this great emperor…

The most significant part of Shah Jahan life history is building of the one of the world's most beautiful monument "The Taj Mahal". Shah Jahan fell in love with Arjumand Banu Begum at first sight, when he was in his teens only. Five years later he married her and gave her the name of "Mumtaz Mahal". From that time onwards, she became his inseparable companion, accompanying him even on military ventures. After she died while giving birth to their 14th child, Shah Jahan undertook the work of constructing world's most beautiful monument in her memory. This monument, which entombs Mumtaz Mahal as well as Shah Jahan, came to be known as "Taj Mahal".

Shah Jahan fell ill in September 1657 and taking advantage of this opportunity, one of his son's, Aurangzeb, took over the throne and imprisoned him. Shah Jahan died in 1666 in captivity only and was entombed, along with his favorite wife, inside the Taj Mahal.





Mumtaz Mahal 


Mumtaz Mahal was the third wife of the Mughal Emperor Shah Jahan. It was in her memory that he built the magnificent monument of love and romance, known as the "Taj Mahal". Mumtaz Mahal, a Muslim Persian Princess, was originally known as Arjumand Banu Begum. So enthralling was her beauty that Shah Jahan (then Prince Khurram) fell in love with her at the first sight. Their marriage was solemnized five years later and from then on, started one of the most popular love stories of the world. Although she was the third wife of Shah Jahan, but at the same time, she was also his favorite. He even bestowed her with the name Mumtaz Mahal and the highest honor of the land - the royal seal, Mehr Uzaz.

Mumtaz Mahal became an inseparable companion of her husband till her death. She even accompanied him on his military endeavors and provided him with her counsel. Infact, she was a pillar of support, love and comfort to the emperor. Mumtaz Mahal gave birth to fourteen children of Shah Jahan. It was during the birth of their 14th child only that she left for the holy abode. It is said that she obtained a promise from Shah Jahan that he will build world's most beautiful monument in her memory. Whether this was true or not, but, Shah Jahan did build a magnificent monument as a tribute to her life. Today, it counts amongst the Seven Wonders of the World and is known as "The Taj Mahal".




Taj Mahal Night Tour


Many poetic illustrations have often been made around the Taj Mahal at moonlit nights. However, the thought of spending a night at Taj Mahal is merely a dream. This is because the monument is closed for public viewing at night and Taj Mahal night tour is not allowed. Some time back, Supreme Court of India did allow the opening of Taj Mahal at night, at full moon nights in specific months. However, this practice has now been discontinued. But, even though you cannot visit the monument at night, we can tell you "how to spend a night at Taj"…

The beauty of the Taj comes up as outstanding whenever you visit, whether its early morning or afternoon or evening. But, its splendor during nighttime, especially at moonlit nights, is beyond the scope of words. The rays of the moon light up the entire monument and lend it a faint silvery glow. Taj Mahal looks so mesmerizing on a full moon night that you will not even notice how the night passed and the sun came to bathe it in shades of pink.


Inside the Taj Mahal


The real Taj Mahal consists of the mausoleum that is situated approximately 900 feet (275 m) away from the main entrance. Standing at the opposite end of the magnificent Taj gardens, it rises to a height of almost 200 feet (76m). At the lowest level of the Taj is a red sandstone platform that was built to level the land. Above that is the marble podium that serves as the base of the mausoleum. On the corners of the marble platform are four minarets that are almost 138 ft high and capped with eight windowed cupolas.

As far as the view inside the Taj Mahal is concerned, it is as magnificent as its exterior. All the porticos of the tomb consist of huge iwans (a sort of arched gateways) that are adorned with exquisite calligraphy. The angles of the tomb consist of semi-octagonal arched alcoves of equal size. Attached pilasters rising from the base of the tomb demark each of the porticos, on both the sides. These pilasters rise above the fresco and are topped with beautiful pinnacles with lotus buds and finials.

As we move further to get Taj Mahal inside look, we will come across an elevated central chamber, a crypt immediately below this and four octagonal corner rooms. These rooms were initially meant to house the graves of the other members of the royal family. In the central chamber is placed the cenotaph of Mumtaz Mahal and that of Shah Jahan, to the left and a little higher than hers. Both the cenotaphs are inscribed in Persian and that of Mumtaz Mahal even has texts from the Koran.

Interiors of the Taj Mahal of Agra also boast of a Cairene lamp above the tombs. The flame that burns in that lamp is supposed to never burn out. The, there are perforated marble screens surrounding the tombs that are inlaid with semiprecious stones. One thing is for sure that if you visit Taj Mahal once, its memories will remain etched in your memory forever.

Taj Mahal Rest House 

Just opposite to the mosque in Taj Mahal i.e., on the eastern side of the Taj is a monument that is known to be a twin of the mosque. This red sandstone monument is called Taj Mahal Naqqar Khana or the Rest house or Jawab (Answer) and is faced away from the Mecca. It is built exactly like the mosque of Taj Mahal. However, it was never used for prayer purposes. Infact, till today the purpose of building the rest house in Taj Mahal, of Agra, is not known.

However, some people believe that it was constructed to conserve the symmetry of Taj Mahal. Beautiful flower designs and other decoration, in white marble, adorn the Taj Mahal Naqqar Khana. The floor between this monument and the mosque also reflects a full size reproduction of the pinnacle embellishing the Taj Mahal.

Taj Mahal Gardens 


Style: Persian
Divided Into: Four Parts
Canals: Two (crossing in the center)
Flowerbeds: Sixteen
Trees: Cyprus and Fruit-bearing Trees

Taj Mahal Gardens are set up in a Persian style, running from the main gateway to the base of the Taj Mahal. The Persian style of gardens, with emphasis on flowers, fruit, birds, leaves, symmetry and delicacy, was introduced in India by Babur. These gardens were based on geometric arrangements of nature and no attempt was made to give them a "natural" look. Another architectural attribute that has been followed in the case of the entire monument, especially the gardens of the Taj Mahal of Agra, is the usage of number four and its multiples.

Since four is considered the holiest number in Islam, all the arrangements of Charbagh Garden of Taj Mahal are based on four or its multiples. The entire garden is divided into four parts, with two marble canals studded with fountains crossing in the center. In each quarter portion, there are 16 flowerbeds that have been divided by stone-paved raised pathways. It is said that even each of the flowerbed was planted with 400 plants.

The trees of the Taj garden are either that of Cyprus (signifying death) or of the fruit bearing type (signifying life) and even they are arranged in a symmetrical pattern. Taj Mahal occupies the north end corner of the garden, instead of being in the center. Infact, at the center of the garden, between the Taj and its gateway, is a raised marble lotus-tank with a cusped border, which reflects the Taj in its waters.


Taj Mahotsav Agra 


Location: Shilpgram, Near Taj Mahal, Agra
Time: February
Duration: 10 days
Organized by: Uttar Pradesh Tourism
Significance: Celebrated to promote rich arts, crafts, culture, cuisine, dance and music of the state
Highlights: A procession taken out in the typical Mughal era style, food festival, performances by folk musicians and dancers, etc

Taj Mahotsav is celebrated at Agra in the month of February for ten days. Organized by the Uttar Pradesh Tourism, the Taj Mahotsav is mainly dedicated to the promotion of Uttar Pradesh's rich arts, crafts, culture, cuisine, dance and music. Infact, it serves as an acknowledgment to the craftsmen as well as the exponents of art, music and cuisine. The venue of the festival of Taj Mahostav is Shilpgram, which is stone's throw away from Taj Mahal. The festival starts with a procession including bejeweled elephants and camels, drum beaters, folk artists and master craftsmen.

This procession is an effort to reconstruct the ones that were taken out during the time of the Mughals. The crafts that are showcased in the festival have immense variety and include:
• Woodcarvings of Saharanpur
• Brass and other metal ware of Moradabad
• Handmade carpets of Badohi
• Blue pottery of Khurja
• Chikan work of Lucknow
• Silk of Banares, etc
One of the major attractions of the Taj Mahal Utsav of Agra is the Food Festival, where you can get some of the oldest and the most typical delicacies from the interiors of Uttar Pradesh. Folk music and folk dances of Bundelkhand, 'Nautanki' (Drama), 'Sapera' dance of Rajasthan will further entertain you in this amazing festival.




Water Devices at Taj Mahal 


The architects planned water devices at the Taj Mahal in a very systematical manner. The water for Taj Mahal was drawn from the river and came from a number of underground pipes. Purs (a rope and bucket pulled by bullocks) were used for drawing water from the river and from there the water was transferred to a huge storage tank. Again thirteen purs were used to pump the water from the tank. From this tank, the water was taken into another huge storage tank through an over-head water-channel.

From this tank, water was again pumped through fourteen purs and finally filled into three supply tanks through another channel. The last one of the supply tanks had pipe mouths in its eastern wall. These pipes entered the Taj Mahal enclosure from underground, with one of them moving towards the mosque to supply the fountains there. For the fountains in the north-south canal and the lotus pond and its canal, copper pipes were used.

To ensure uniform and undiminished water pressure in the fountains, a copper pot was provided under each fountain pipe. The water supply came first into the pot only and from there rose simultaneously in the fountains. However, the main supply of the water in these pots came through earthenware pipes. Most of the water devices at Taj Mahal have stood the test of time and are still present there.

A Day at Taj Mahal 


When you think about visiting Taj, a question may come up in your mind about "how to spend a day at Taj". Even though Taj Mahal seems to be a single building, but there are so many structures inside it that you will feel that a day at the Taj Mahal is just insufficient to explore this amazing monument. If you want to appreciate the beauty of this splendid monument fully, we suggest that you should visit it atleast twice. In the morning, Taj Mahal, veiled with mist and immersed in a soft red glow, looks straight out of a fairy tale. The reflection of the sunlight falling on its white marble facade changes color from soft gray and yellow to pearly cream and dazzling white, as the day passes.

The time of dawn presents Taj in delicate shades of pink, while the setting sun washes it with orange color. However, the beauty of the Taj reaches its peak during the moon lit nights, especially on a full moon night. Bathed in silver light of the moon, it seems just like a dream that has just come true. A day at Taj Mahal will keep you busy only with the task of taking in its mesmerizing beauty. There is no limit on the time you may spend at the Taj on a single visit. You may remain here the entire day and let your eyes soak the splendor of the Taj. 

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